Music speaks : on the language of opera, dance, and song
著者
書誌事項
Music speaks : on the language of opera, dance, and song
（Eastman studies in music, [v. 69]）
University of Rochester Press, 2009
大学図書館所蔵 件 / 全4件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Series numbert from CIP
Includes bibliographical references (p. [209]-212) and index
内容説明・目次
内容説明
Explores the meaning[s] of music, the most intricate and significant language invented by our culture.
From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work.
Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it.
The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light.
Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University.
目次
Music's Pentecost, Music's Stupidity
Heine and the Composers
The Diabolical Senta
Les Troyens: The Undoing of Opera
Far Sounds in Zemlinsky and Schreker
Butchering Moses
Elliott Carter and Poetry: Listening to, Listening Through
Sophoclean Opera
Belletristic Music in the Twentieth Century
Golden Calves: The Role of Dance in Opera
Elephant Swan Space Grace
「Nielsen BookData」 より