Singing out : an oral history of America's folk music revivals
著者
書誌事項
Singing out : an oral history of America's folk music revivals
（The Oxford oral history series）
Oxford University Press, 2010
- : hard
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注記
Includes bibliographical references and index
収録内容
- I never heard a horse sing it! : defining folk music
- Early collectors
- Music for the masses
- Greenwich Village : 1940s
- Am I in America? : the red scare
- Folk boom
- Movement music
- Folk-rock
- Nu folk : the music changes, but the beat goes on
- The power of music
内容説明・目次
内容説明
Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures,
including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins, Arlo Guthrie, Ry Cooder, and Holly Near. Together they tell the stories of such musical groups as the Composers' Collective, the Almanac Singers, People's Songs, the Weavers, the New Lost City Ramblers, and the Freedom
Singers. Folklorists, musicians, musicologists, writers, activists, and aficionados reveal not only what happened during the folk revivals, but what it meant to those personally and passionately involved. For everyone who ever picked up a guitar, fiddle, or banjo, this will be a book to give and cherish. Extensive notes, bibliography, and discography, plus a photo section.
目次
- 1. Summer, 1941: "The Ballad of Harry Bridges"
- 2. Roots of a Revival
- 3. The Depression and Wartime: Music to the Masses
- 4. Greenwich Village Folk Scene of the 1940s
- 5. A Red Scare and a Rat's Tale
- 6. New Folk: Early Ramblings
- 7. Movement Music: We Shall Overcome
- 8. We Are the World: Folk Goes Global
- 9. The Power of Music: A Retrospective
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