Humphrey Jennings
著者
書誌事項
Humphrey Jennings
(British film makers)
Manchester University Press, 2010
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
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注記
Filmography: p. [145]-153
Includes bibliographical references (p. [154]-165) and index
内容説明・目次
内容説明
Humphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930s and 1940s.
Poet, propagandist, surrealist and documentary filmmaker - Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience.
Films analysed include Spare Time, Words for Battle, Listen to Britain, Fires Were Started, The Silent Village, A Diary for Timothy and Family Portrait. -- .
目次
Acknowledgements
Introduction
1. Modernity, myth, colour and collage: the early films
2. Work and leisure: *Spare Time*
3. Sound, image, and nation: *Words for Battle* and *Listen to Britain*
4. Documentary reconstruction and prognostication: *Fires Were Started* and *The Silent Village*
5. 'What will befall Britain?: *A Diary for Timothy*
6. An ambiguous national iconography: *Family Portrait*
7. Legacies
Afterword
Filmography
References
Index -- .
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