書誌事項

Humphrey Jennings

Keith Beattie

(British film makers)

Manchester University Press, 2010

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注記

Filmography: p. [145]-153

Includes bibliographical references (p. [154]-165) and index

内容説明・目次

内容説明

Humphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930s and 1940s. Poet, propagandist, surrealist and documentary filmmaker - Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience. Films analysed include Spare Time, Words for Battle, Listen to Britain, Fires Were Started, The Silent Village, A Diary for Timothy and Family Portrait. -- .

目次

Acknowledgements Introduction 1. Modernity, myth, colour and collage: the early films 2. Work and leisure: *Spare Time* 3. Sound, image, and nation: *Words for Battle* and *Listen to Britain* 4. Documentary reconstruction and prognostication: *Fires Were Started* and *The Silent Village* 5. 'What will befall Britain?: *A Diary for Timothy* 6. An ambiguous national iconography: *Family Portrait* 7. Legacies Afterword Filmography References Index -- .

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