In and out of the west : reconstructing anthropology
著者
書誌事項
In and out of the west : reconstructing anthropology
(Page-Barbour lectures, 2002)
University of Virginia Press, c2009
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [213]-230) and index
内容説明・目次
内容説明
Is anthropology simply a continuation of colonial domination and cultural imperialism by other means, or has it-since its nineteenth-century rebirth as a purportedly scientific discipline-produced reliable knowledge about the cultures it studies? Is anthropology a mirror-which reflects only the preoccupations of the (Western) anthropologist-or a window, through which it is possible to see, though not with the same eyes as their members, other cultures?
Deriving from the 2002 Page-Barbour Lectures delivered by the French anthropologist Maurice Godelier at the University of Virginia, and supplemented by additional lectures and articles by the author, In and Out of the West addresses a series of fundamental topics and issues in social anthropology-including family, kinship, and the construction of the self. He particularly emphasizes the strategic role of political-religious relations in the construction of societies and social life.
Godelier places social anthropology in its historical perspective, with its origins in the West and, more particularly, colonialism, while also arguing that it has to some extent transcended its origins, achieving a measure of scientific objectivity and validity that cannot be reduced to a continuation of the colonial project. A final chapter, reflecting his experience as the first head of the science department of the new Quai Branly anthropological museum in Paris, discusses issues surrounding the presentation of nonwestern cultural artifacts to a Western general public.
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