Play-house of power : theatre in colonial India
著者
書誌事項
Play-house of power : theatre in colonial India
Oxford University Press, 2009
- タイトル別名
-
Theatre in colonial India
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
Theatre has been largely overlooked as a field of analysis on colonial studies. It was an important site of representation of dominant political forces and the counter hegemonic struggles during the colonial period. Arguing that theatre needs to be understood against the wider social, material and political backdrop, this volume provides an insightful analysis of theatre in colonial India. The book is divided into two sections. The first section deals with the politics of colonial theatre; theatre and modernity; intersecting domains of high and low culture and western and Indian genres; and theatre as a site of appropriation and contestation. The second part focuses on theatre's multifaceted relation to gender. In addition, the collection also discusses theatre's relation to music, musical genres, and cultural norms, and the radical force of performance.
目次
- SECTION I: THEATRE: A CONTESTED SITE OF MODERNITY AND APPROPRIATION
- 1. The Heroine's Song in the Marathi Theatre between 1910 and 1920: its Code and its Public (Urmila Bhirdikar)
- 2. Theatre Songs: The Alter Ego of the 19th century Bengali stage (Devajit Bandyopadhyay)
- 3. Legacies of Discourse: Special Drama and its History (Susan Seizer)
- 4. Ushering Changes: Constructing the History of Tamil Theatre During Colonial times through Drama Notices (Mangai A. and V. Arasu)
- 5. Some Issues In Conceptualising Popular Culture: The Case of the Lavani and Powada in Maharashtra (Sharmila Rege)
- 6. Foreign origins/native destinations: Shakespeare and the Logic of Vernacular Public Stage (Javed Mallick)
- SECTION II: THEATRE AND GENDER: RE-SCRIBING PATRIARCHY
- 7. Excluding the Petty and Grotesque: Depicting Women in Early Twentieth Century Marathi Theatre (Sudhanva Deshpande)
- 8. Reading Premchand's "The Actress" (Nandi Bhatia)
- 9. Jester and Gender in Manipuri Theatre Tradition During the Colonial Era (1891-1947) Manipur (KSH. Imokanta Singh)
- 10. Kattaikkuttu Girls (Hanne M.de Bruin)
- 11. Fore-Grounding the Actresses Question: Bengal and Maharashtra (Lata Singh)
- 12. Changing Roles: Women in the People's Theatre Movement in Bengal (1942-1951) (Malini Bhattacharya)
- 13. Historicizing Actress Stories: English Actresses in India (1789-1) (Bishnupriya Dutt)
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