The sensory world of Italian Renaissance art
著者
書誌事項
The sensory world of Italian Renaissance art
Reaktion Books, 2010
- : hbk
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Includes bibliographical references (p. 193-198) and index.
内容説明・目次
内容説明
The Renaissance refers to an era when art, culture and philosophy underwent a revolutionary rebirth. New ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the world of Renaissance art. In "The Sensory World of Italian Renaissance Art", Francois Quiviger explores the ways in which sensation began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery and shows how Renaissance artists made touch, sound and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories on representation, which were evolving throughout the sixteenth century, and explains how this shaped early-modern notions of art, spectatorship and artistic creation. By setting Renaissance art and ideas on representation side-by-side in the same intellectual environment, "The Sensory World of Italian Renaissance Art" presents a comprehensive study of Renaissance theories of art in the context of the actual works.
Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history, and anyone interested in this fascinating cultural period.
目次
Introduction Part I: Sensation in Renaissance Mental Imagery 1 The Scientific and Artistic Traditions 2 Imprese - Mnemonics - Meditation 3 The Human Figure in Art from Middle Ages to Counter Reformation 4 Ornament 5 Allegories Part II: Sensation in Representation 6 Sight 7 Touch 8 Smell 9 Sound 10 Banquets Conclusions References Select Bibliography Acknowledgements Photo Acknowledgements Index
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