The Edwardian sense : art, design, and performance in Britain, 1901-1910

著者

    • O'Neill, Morna
    • Hatt, Michael

書誌事項

The Edwardian sense : art, design, and performance in Britain, 1901-1910

edited by Morna O'Neill and Michael Hatt

(Studies in British art, 20)

Yale Center for British Art , Paul Mellon Centre for Studies in British Art , Distributed by Yale University Press, c2010

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注記

Includes index

内容説明・目次

内容説明

Although numerous studies have explored the Edwardian period (1901-1910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the book's focus on the visual, spatial, and geographic perspectives of the Edwardians themselves. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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  • Studies in British art

    Published for the Paul Mellon Centre for Studies in British Art (London) by the Yale University Press

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