Cinema and landscape
著者
書誌事項
Cinema and landscape
Intellect, 2010
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. [297]-304
Includes index
内容説明・目次
内容説明
The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. Written by well-known cinema scholars, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
目次
Chapter 1: Introduction - Cinema and Landscape - Graeme Harper, Bangor University and Jonathan Rayner, University of Sheffield
PART I: The Invention of the Cinematic Landscape
Chapter 2: Landscape and the Fantasy of Moving Pictures: Early Cinema's Phantom Rides - Tom Gunning, University of Chicago
PART II: Mapping Cinematic Landscapes
Chapter 3: 'One Foot in the Air?' Landscape in the Soviet and Russian Road Movie - Emma Widdis, University of Cambridge
Chapter 4: Landscape of the Mind: The Indifferent Earth in Werner Herzog's Films - Brad Prager, University of Missouri
Chapter 5: Visions of Italy: The Sublime, the Postmodern and the Apocalyptic - William Hope, Salford University
Chapter 6: Landscape in Spanish Cinema - Marvin D'Lugo, Clark University
Chapter 7: Landscape and Irish Cinema - Martin McLoone, University of Ulster
Chapter 8: The Ownership of Woods and Water: Landscapes in British Cinema 1930-1960 - Sue Harper, University of Portsmouth
Chapter 9: Filming the (Post-)Colonial Landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) - Susan Hayward, University of Exeter
Chapter 10: Landscaping the Revolution: The Political and Social Geography of Cuba Reflected in its Cinema - Bob Britton, University of Sheffield
Chapter 11: Landscapes of Meaning in Cinema: Two Indian Examples - Wimal Dissanayake, University of Hawaii
Chapter 12: The Geography of Cinema - Zimbabwe - Martin Mhando, Murdoch University
Chapter 13: Crises, Economy and Landscape: The Modern Film Face of New China - Kate Taylor, Bangor University
Chapter 14: Japanese Cinema and Landscape - Paul Spicer, University of Portsmouth
Chapter 15: A Version of Beauty and Terror: Australian Cinematic Landscapes - Graeme Harper, Bangor University
Chapter 16: Battlefields of Vision: New Zealand Filmscapes - Jonathan Rayner, University of Sheffield
Chapter 17: The Landscapes of Canada's Features: Articulating Nation and Nature - Jim Leach, Brock University
Chapter 18: Science Fiction/Fantasy Films, Fairy Tales and Control: Landscape Stereotypes on a Wilderness to Ultra-urban Continuum - Christina Kennedy, Tianna and Melisa Kennedy, Northern Arizona University
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