Athenian potters and painters

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書誌事項

Athenian potters and painters

edited by John H. Oakley and Olga Palagia

Oxbow Books, c2009-

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注記

Description based on: 2

Text in English, French, German, and Greek

v. 3 text in English

v. 3 edited by John H. Oakley

Papers based on lectures given at the international conference held at the American School of Classical Studies at Athens, Mar. 28-30, 2007

"This volume contains the papers presented at the international conference Athenian Potters and Painters III held at the College of William and Mary in Virginia on September 11-14, 2012"--foreword of v. 3

内容説明・目次

内容説明

Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.

目次

Contents Foreword 1 Fallen Vessels and Risen Spirits: Conveying the Presence of the Dead on White-ground Lekythoi Nathan Arrington 2 Under the Tuscan Soil: Reuniting Attic Vases with an Etruscan Tomb Sheramy D. Bundrick 3 Regional Variation: Pelops and Chrysippos in Apulia T.H. Carpenter 4 Baskets, Nets and Cages: Indicia of Spatial Illusionism in Athenian Vase-Painting Beth Cohen 5 Red-figured Cups in the Kerameikos Heide Frielinghaus 6 Smikros and Epilykos: Two Comic Inventions in Athenian Vase-Painting Guy Hedreen 7 Facing West: Athenian Influence on Isolated Heads in Italian Red-figure Vase-Painting Keely Elizabeth Heuer 8 The Gigantomachy in Attic and Apulian Vase-Painting. A New Look at Similarities, Differences and Origins Frank Hildebrandt 9 Some Greek Vases in the Museum of Mediterranean Archaeology at Nor David (Gan Hashlosha) Israel Sonia Klinger 10 Trade of Athenian Figured Pottery and the Effects of Connectivity Kathleen Lynch and Stephen Matter 11 Plates by Pasteas Mario Iozzo 12 Beautiful Men on Vases for the Dead Thomas Mannack 13 The View from Behind the Kline: Symposial Space and Beyond Timothy McNiven 14 Chariots in Black-figure Attic Vase-painting: Antecedents and Ramifications Joan R. Mertens 15 Whom are You Calling a Barbarian? A Column Krater by the Suessula Painter J. Michael Padgett 16 Good Dog, Bad Dog: A Cup by the Triptolemos Painter and Aspects of Canine Behavior on Athenian Vases Seth D. Pevnick 17 A Scorpion and a Smile: Two Vases in the Kemper Museum of Art in Saint Louis Susan I. Rotroff 18 Demographics and Productivity in the Ancient Athenian Pottery Industry Philip Saperstein 19 An Amazonomachy Attributed to the Syleus Painter David Saunders 20 Democratic Vessels? The Changing Shape of Athenian Vases in Late Archaic and Early Classical Times Stefan Schmidt 21 A Kantharos in the Museum of Fine Arts, Boston and the Reception of Athenian Red-figure in Boeotia Phoebe Segal 22 Oikos and Hetairoi: Black-figure Departure Scenes Reconsidered Martina Seifert 23 The Robinson Group of Panathenaic Amphorae H.A. Shapiro 24 Guess Who’s Coming to Dinner? Red-figure Komasts and the Performance Culture of Athens Tyler Jo Smith 25 Menelaos and Helen in Attic Vase Painting Mark D. Stansbury-O’Donnell 26 Attic Black-figure and Red-figure Fragments from the Sanctuary of Apollo at Mandra on Despotiko Robert F. Sutton and Yannos Kourayos 27 The Attic Phiale in Context. The Late Archaic Red-figure and Coral-red Workshops Athena Tsingarida Colour Plates 1-32

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