Yves Klein : with the void, full powers : Hirshhorn, Walker Art Center

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Bibliographic Information

Yves Klein : with the void, full powers : Hirshhorn, Walker Art Center

organized by Kerry Brougher and Philippe Vergne ; texts by Kerry Brougher ... [et al.]

Walker Art Center , Hirshhorn Museum and Sculpture Garden, c2010

  • : North American trrade ed
  • : [Rest of world trade ed]

Available at  / 7 libraries

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Note

Exhibition catalogue

Published on the occasion of the exhibition held at Hirshhorn Museum and Sculpture Garden, Washington, D.C., May 20-Sept. 12, 2010, Walker Art Center, Minneapolis, Minnesota, Oct. 23, 2010-Feb. 13, 2011

Bibliography: p. 337-342

"Exhibition cheklist": p. 343-348

Description and Table of Contents

Volume

: North American trrade ed ISBN 9780935640946

Description

One of the last century's most influential artists, Yves Klein (1928-1962) took the European art scene by storm in a prolific career that lasted only from 1954 to 1962, when he suffered a heart attack at the age of 34. Klein was an innovator who embraced painting, sculpture, performance, photography, music, theater, film, architecture and theoretical writing. Self-identified as "the painter of space," Klein sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own invention-International Klein Blue) and even went so far as to present white galleries emptied of all artworks for his renowned 1958 exhibition of "the Void." His diverse oeuvre represents a pivotal transition from modern art's concern with the material object to contemporary notions of the conceptual nature of art. Yves Klein: With the Void, Full Powers is published to accompany the first major retrospective of the artist's work in the United States in nearly 30 years. It includes examples from all of Klein's major series, including his Anthropometries, Cosmogonies, fire paintings, planetary reliefs and blue monochromes, as well as selections of his lesser-known gold and pink monochromes, body and sponge reliefs, "air architecture" and immaterial works. Essays by curators Kerry Brougher and Philippe Vergne, Klein scholar Klaus Ottmann, art historian Kaira M. Cabanas and curatorial fellow Andria Hickey, as well as archival materials and translations of Klein's published and unpublished writings, offer insights into the artist's endeavors and process. Born in Nice, France, in 1928, Yves Klein created what he considered his first artwork when he signed the sky above Nice in 1947, making his earliest attempt to capture the immaterial. The artist carved out new aesthetic and theoretical territory based on his study of the mystical sect Rosicrucianism, philosophical and poetic investigations of space and science, and the practice of Judo, which he described as "the discovery of the human body in a spiritual space."
Volume

: [Rest of world trade ed] ISBN 9783775726498

Description

During his brief yet prolific career, Yves Klein (1928-1962) took the European art scene by storm. He is regarded as a forerunner of such avant-garde movements as Minimalism and Performance and Conceptual Art. Klein was an innovator who combined painting, sculpture, performance, music, film, and theoretical concepts. The artist carved out new aesthetic and theoretical territory based on his examination of the philosophy of judo, Rosicrucian teachings, and philosophical and poetic investigations of space and science, accompanied by his quest to achieve immaterial spirituality through pure color and emptiness. This publication includes examples from all of his major series, such as the Anthropometries, the Fire Paintings, and the monochromes. Attention is also given to his lesser-known works, while sketches, photographs, letters, and writings provide insight into Klein's artistic process and conceptual projects.

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