East African hip hop : youth culture and globalization
Author(s)
Bibliographic Information
East African hip hop : youth culture and globalization
(Interpretations of culture in the new millennium)
University of Illinois Press, c2009
Related Bibliography 1 items
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [137]-154) and index
Description and Table of Contents
Description
In this book, Mwenda Ntarangwi analyzes how young hip hop artists in the East African nations of Kenya, Uganda, and Tanzania showcase the opportunities and challenges brought by the globalization of music. Combining local popular music traditions with American and Jamaican styles of rap, East African hip hop culture reflects the difficulty of creating commercially accessible music while honoring tradition and East African culture. Ntarangwi pays special attention to growing cross-border exchanges within East African hip hop, collaborations in recording music and performances, and themes and messages that transcend local geographic boundaries.
In using hip hop as a medium for discussing changes in East African political, economic, and social conditions, artists vocalize their concerns about economic policies, African identity, and political establishments, as well as important issues of health (such as HIV/AIDS), education, and poverty. Through three years of fieldwork, rich interviews with artists, and analysis of live performances and more than 140 songs, Ntarangwi finds that hip hop provides youth an important platform for social commentary and cultural critique and calls attention to the liberating youth music culture in East Africa.
Table of Contents
Preface vii
Acknowledgments xiii
1. Globalization and Youth Agency in East Africa 1
2. Hip Hop and African Identity in Contemporary Globalization 20
3. Move Over, Boys, the Girls Are Here: Hip Hop and Gendered Identities 44
4. Economic Change and Political Deception 67
5. Morality, Health, and the Politics of Sexuality in an Era of HIV/AIDS 93
6. Staying True to the Cause: Hip Hop's Enduring Social Role 115
Appendix: Hip Hop Artistes 123
Glossary 129
Notes 131
References 137
Index 155
by "Nielsen BookData"