Borderline areas in fourteenth and fifteenth-century music Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

書誌事項

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

edited by Karl Kügle & Lorenz Welker

(Musicological studies and documents, 55)

American Institute of Musicology, c2009

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注記

Selected papers from the international symposium in late Medieval and early Renaissance music, held at Kloster Neustift/Novacella, South Tirol, 1997 and 2000

Includes bibliographical references (p. [237]-253)

English, German, Italian, French, and Spanish texts

収録内容
  • Subtilitas und Melodicità : französische und italienische Satztechniken in der Handscrift Pz / Christian Berger
  • Music for Louis of Anjou / Alice V. Clark
  • Rappresentazioni musicali nell'iconografia medievale padovana / Francesco Facchin
  • Una fuente desatendida con repertorio sacro mensural de fines del medioevo : el cantoral del Convento de la Concepción de Palma de Mallorca / Maricarmen Gómez
  • From descriptive to prescriptive notation in early trecento music / Jehoash Hirshberg
  • Negotiating form and content in fifteenth-century music : a view through some mass pairs by Binchois / Andrew Kirkman
  • Ars Nova-Fragmente in Würzburg / Irmgard Lerch-Kalavrytinos
  • The cuckoo and the nightingale : patterns of mimesis and imitation in French songs of the late Middle Ages / Virginia Newes
  • Music, devotion, and civic life in early quattrocento Orvieto : a paired Gloria-Credo for the Cathedral of Santa Maria della Stella / Lucia Marchi
  • Grafting the rose : Machaut, the Ars subtilior, and the Cyprus balades / Elizabeth Eva Leach
  • Et pour la joie que j'avoie ce rondelet fis : the emotional use of song in Chaucer's Book of the duchess / Anne-Marie Treacy
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