Borderline areas in fourteenth and fifteenth-century music Grenzbereiche in der Musik des 14. und 15. Jahrhunderts
Author(s)
Bibliographic Information
Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts
（Musicological studies and documents, 55）
American Institute of Musicology, c2009
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Note
Selected papers from the international symposium in late Medieval and early Renaissance music, held at Kloster Neustift/Novacella, South Tirol, 1997 and 2000
Includes bibliographical references (p. [237]-253)
English, German, Italian, French, and Spanish texts
Contents of Works
- Subtilitas und Melodicità : französische und italienische Satztechniken in der Handscrift Pz / Christian Berger
- Music for Louis of Anjou / Alice V. Clark
- Rappresentazioni musicali nell'iconografia medievale padovana / Francesco Facchin
- Una fuente desatendida con repertorio sacro mensural de fines del medioevo : el cantoral del Convento de la Concepción de Palma de Mallorca / Maricarmen Gómez
- From descriptive to prescriptive notation in early trecento music / Jehoash Hirshberg
- Negotiating form and content in fifteenth-century music : a view through some mass pairs by Binchois / Andrew Kirkman
- Ars Nova-Fragmente in Würzburg / Irmgard Lerch-Kalavrytinos
- The cuckoo and the nightingale : patterns of mimesis and imitation in French songs of the late Middle Ages / Virginia Newes
- Music, devotion, and civic life in early quattrocento Orvieto : a paired Gloria-Credo for the Cathedral of Santa Maria della Stella / Lucia Marchi
- Grafting the rose : Machaut, the Ars subtilior, and the Cyprus balades / Elizabeth Eva Leach
- Et pour la joie que j'avoie ce rondelet fis : the emotional use of song in Chaucer's Book of the duchess / Anne-Marie Treacy
