Girl groups, girl culture : popular music and identity in the 1960s
著者
書誌事項
Girl groups, girl culture : popular music and identity in the 1960s
Routledge, c2007
- : pbk
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注記
Includes bibliographical references (p. 247-261) and index
内容説明・目次
内容説明
Then He Kissed Me, He's A Rebel, Chains, Stop! In the Name of Love all these songs capture the spirit of an era and an image of "girlhood" in post-World War II America that still reverberates today.
While there were over 1500 girl groups recorded in the '60s--including key hitmakers like the Ronettes, the Supremes, and the Shirelles - studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address '60s girl group music from the perspective of its most significant audience--teenage girls--drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation.
Girl Groups, Girl Culture stands as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies.
目次
- Introduction
- Part 1 Girl Talk
- Chapter 1 The Emerging Girl Group Sound
- Chapter 2 The Voice of the Girl
- Part 2 A Brand New Dance Now
- Chapter 3 Embodying Girlness
- Chapter 4 Restraint and Violence
- Chapter 5 Uniformity and Masquerade
- Part 3 He Makes Me
- Chapter 6 Record Producers and the Politics of Production
- Chapter 7 Carole King and Ellie Greenwich
- Chapter 8 Up against the Wall of Sound
- Part 4 Look Here, Girls, and Take This Advice
- Chapter 9 Respectability Versus RockaEURO (TM)naEURO (TM)Roll
- Chapter 10 Motown and the Politics of Crossover Success
- Chapter 11 Mothers and Daughters
- Part 5 Out in the Streets
- Chapter 12 Group Identity and Public Space
- Chapter 13 Rebellion and Girldom
- Chapter 14 Girl Groups, the Road, and Public Record
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