Toward a semiotic theory of visual communication in the cinema : a reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock

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Toward a semiotic theory of visual communication in the cinema : a reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock

by Gorham Anders Kindem

University Microfilms International, c1977

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Note

Facsim. of the author's thesis (Ph.D.)--Northwestern University, 1977

Filmography: leaves 257-269

Bibliography: leaves 270-275

"78-721"

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