A dictionary of theatre anthropology : the secret art of the performer

著者

書誌事項

A dictionary of theatre anthropology : the secret art of the performer

Eugenio Barba, Nicola Savarese ; translated by Richard Fowler

Routledge, Taylor & Francis Group, 2006

2nd ed

タイトル別名

Secret art of the performer

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注記

Translated from the Italian

"First edition published in 1991 by Centre for Performance Research/Routledge"--T.p. verso

"This book is the result of the research conducted from 1980 to 2005 by ISTA, the International School of Theatre Anthropology, directed by Eugenio Barba"--T.p. verso

Bibliography: p. 302-311

Includes index

内容説明・目次

内容説明

First Published in 2005. A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer's craft, from a wealth of Eastern and Western sources. More than just a dictionary, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance. It is the result of many years of research conducted by Eugenio Barba and the International School of Theatre Anthropology (ISTA) based in Denmark, and is now a classic foundational text. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor's arduous and eclectic craft. The Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator's response to the dynamics of performance. The Dictionary has practical sections on balance, opposition and montage among other techniques, and discusses issues including The Text and the Stage, The Dilated Body and Energetic Language. This revised edition includes: three new chapters on Eurasian Theatre, Exercises and Organicity; 50 new photographs showing the performer's craft in black and white and colour; and, for the first time, a useful bibliography and index.

目次

  • Introduction
  • Part 1 A Z
  • Chapter 1 Anatomy
  • Chapter 2 Apprenticeship
  • Chapter 3 Balance
  • Chapter 4 Dilation
  • Chapter 5 Dramaturgy
  • Chapter 6 Energy
  • Chapter 7 Equivalence
  • Chapter 8 Eurasian Theatre
  • Chapter 9 Exercises
  • Chapter 10 Face and Eyes
  • Chapter 11 Feet
  • Chapter 12 Hands
  • Chapter 13 Historiography
  • Chapter 14 Montage
  • Chapter 15 Nostalgia
  • Chapter 16 Omission
  • Chapter 17 Opposition
  • Chapter 18 Organicity
  • Chapter 19 Pre-Expressivity
  • Chapter 20 Restoration of Behaviour
  • Chapter 21 Rhythm
  • Chapter 22 Set and Costume Design
  • Chapter 23 Technique
  • Chapter 24 Text and Stage
  • Chapter 25 Training
  • Chapter 26 Views

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