Bibliographic Information

The original copy : photography of sculpture, 1839 to today

Roxana Marcoci ; with essays by Geoffrey Batchen and Tobia Bezzola

Museum of Modern Art , Distributed in the United States and Canada by D.A.P. (Distributed Art Publishers) , Distributed outside the United States and Canada by Thames & Hudson, c2010

  • : hbk

Other Title

FotoSkulptur : die Fotografie der Skulptur 1839 bis heute

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Note

Catalogue of an exhibition held at the Museum of Modern Art, New York, Aug. 1-Nov. 1, 2010

"The exhibition will travel to the Kunsthaus Zürich (February 25-May 15, 2011) under the title FotoSkulptur: die Fotografie der Skulptur 1839 bis heute."

Exhibitors: Barbara Kruger, William Henry Fox Talbot, Adolphe Bilordeaux ... [et al.]

Organized by Roxana Marcoci

Bibliography: p. 242-247

Includes index

Description and Table of Contents

Description

Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. Through cropping, focus, angle of view, distance and lighting as well as the ex post facto techniques of dark room manipulation, collage, montage and assemblage, photographers not only interpret the artworks they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1939 to Today presents a critical examination of the intersections between photography and sculpture. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the 19th century to the present, The Original Copy explores how one medium has become implicated in the understanding of the other. Photographs reproduced in this richly illustrated volume range in subject from inanimate objects to performing bodies, and include major works by medium's most influential artists, from early modernism to the present.

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