Prelude to a million years ; Song without words ; Vertigo
Author(s)
Bibliographic Information
Prelude to a million years ; Song without words ; Vertigo
(The library of America, 211)
Library of America, c2010
Available at 97 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"The images constituting Prelude to a million years in the present volume are reproduced from a copy of the Equinox edition."--P. 683
"The images constituting Song without words in the present volume are reproduced from a copy of the Random House edition."--P. 684
"The images constituting Vertigo in the present volume are reproduced from a copy of the Random House edition."--P. 684
Chronology: p. 665-682
Description and Table of Contents
Description
The second volume of collected woodcut graphic novels from a "brilliant and iconoclastic" author who has been compared to Frank Capra and John Steinbeck (Jonathan Lethem, New York Times-bestselling author of The Fortress of Solitude)
In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward's three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward's undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiance, and an elderly business magnate who-movingly, and without ever becoming a political caricature-embodies the social forces determining their fate.
The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward's novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, "Reading Pictures," that defines Ward's towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.
by "Nielsen BookData"