Fra Angelico to Leonardo : Italian Renaissance drawings
著者
書誌事項
Fra Angelico to Leonardo : Italian Renaissance drawings
Lund Humphries, 2010
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Published to accompany the exhibition held at the British Museum, 22 Apr.-25 July 2010 and the Galleria degli Uffizi, Florence, Feb. 1-Apr. 30, 2011
"Terence, Heauton Timoroumenos, v.77"-- T.p. verso
Includes bibliographical references (p. 332-340) and index
内容説明・目次
内容説明
This sumptuously illustrated catalogue charts the history of drawing in Italy from 1400, just prior to the emergence in Florence of the classically inspired naturalism of the Renaissance style, to around 1510 when Michelangelo, Raphael and Titian were on the verge of taking the innovations of earlier masters, such as Leonardo and Pollaiuolo, in a new direction. It brings together just over one hundred of the most remarkable drawings from the collections of the Uffizi in Florence and the British Museum in London, the majority of which have never been seen together before.
The book highlights the key role played by drawing in artistic teaching and in how artists studied the human body and the natural world. Aspects of regional difference, the development of new drawing techniques and classes of graphic work, such as finished presentation pieces to impress patrons, are also explored. An extended introduction focusing on how and why artists made drawings, with a special emphasis on the pivotal role of Leonardo, is richly illustrated with examples from the two collections that elucidate the technique and function of the works.
This is followed by catalogue entries for just over 100 drawings where discussion of their function and significance is supported by comparative illustrations of related works, such as paintings.
目次
- Forewords
- Acknowledgements
- Chronology
- Map
- Essay, Hugo Chapman: Introduction
- The function and survival of Italian fifteenth-century drawings
- The technique of Italian Renaissance drawings
- The development of drawing
- Leonardo da Vinci's significance as a draughtsman
- The legacy of fifteenth-century drawing
- Essay on the collections, Marzia Faietti
- Catalogue
- Artist biographies
- Notes
- Technical glossary
- Glossary
- Bibliography
- Picture acknowledgements
- Index.
「Nielsen BookData」 より