The pronomos vase and its context
著者
書誌事項
The pronomos vase and its context
Oxford University Press, 2010
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [265]-283) and index
内容説明・目次
内容説明
The Pronomos Vase is the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece. It depicts an entire theatrical chorus and cast along with the celebrated musician Pronomos, in the presence of their patron god, Dionysos. In this collection of essays, illustrated with nearly 60 drawings and photographs, leading specialists from a variety of disciplines tackle the critical questions posed by this complex hub of
evidence. The discussion covers a wide range of perspectives and issues, including the artist's oeuvre; the pottery market; the relation of this piece to other artistic, and especially celebratory, artefacts; the political and cultural contexts of the world that it was produced in; the identification of
figures portrayed on it: and the significance of the Pronomos Vase as theatrical evidence. The volume offers not only the most recent scholarship on the vase but also some ground-breaking interpretations of it.
目次
- 1. Introduction
- 2. A Description
- 3. The Contexts of the Production and Distribution of Athenian Painted Pottery in c.400
- 4. From Flat Page to the Volume of the Pot
- 5. Satyr-Play and Tragedy, Faec to Face
- 6. Aetiological Performance and Consecration in the Sanctuary of Dionysos
- 7. The Context of Choregic Dedications
- 8. The Transformation of Athenian Theatre Culture around 400 BC
- 9. Who's Who on the Pronomos Vase?
- 10. Tragic Theatre: Demetrios' Rolls and Dionysos' Other Woman
- 11. The Man and the Music (and the Choregos?)
- 12. Dance in Satyr Play
- 13. The Tragic Costumes
- 14. A Curtain Call?
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