{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB03505412.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB03505412#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB03505412.json"},"dc:title":[{"@value":"Les fils d'un entrelacs sans fin : la danse dans l'œuvre d'Anne Teresa De Keersmaeker"}],"dc:creator":"Philippe Guisgand","dc:publisher":[{"@value":"Presses universitaires du Septentrion"}],"dcterms:extent":"339 p.","cinii:size":"20 cm","dc:language":"fre","dc:date":"2007","cinii:ncid":"BB03505412","cinii:ownerCount":"1","foaf:maker":[{"@type":"foaf:Person","foaf:name":[{"@value":"Guisgand, Philippe"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001798","@type":"foaf:Organization","foaf:name":"東京大学 駒場図書館","rdfs:seeAlso":{"@id":"https://opac.dl.itc.u-tokyo.ac.jp/opac/opac_openurl/?ncid=BB03505412"}}],"bibo:lccn":["2008420144"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2008420144"}],"prism:publicationDate":["c2007"],"cinii:note":["Bibliography: p. 309-316","Includes index"],"dc:subject":["LCC:GV1785.K56"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Keersmaeker%2C+Anne+Teresa+de+--+Criticism+and+interpretation","dc:title":"Keersmaeker, Anne Teresa de -- Criticism and interpretation"},{"@id":"https://ci.nii.ac.jp/books/search?q=Choreography+--+Belgium","dc:title":"Choreography -- Belgium"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BB02865467#entity","dc:title":"Esthet́ique et sciences des arts","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9782757400296","dc:title":": pbk"}]}]}