Music theory in the age of Romanticism
著者
書誌事項
Music theory in the age of Romanticism
Cambridge University Press, 2005, c1996
- : paperback
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published 1996, this digitally printed first paperback version 2005"--T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Twelve authors probe the mind of the Romantic era in its thinking about music. They provide a searching examination of writings by music theorists, critics, aestheticians, philosophers, and commentators from 1800 to 1875. In doing so, they wield new critical tools as well as old, casting fresh light, for example, on familiar problems of musical form by inspecting eighteenth-century rhetoric and nineteenth-century gendered discourse; exploring Schubertian modulation and Wagnerian motif with the insights of cognitive science; reinterpreting pianistic finger exercise by way of Michel Foucault and Frankenstein and so on. The impact of Hegel and Schelling on music theory occupies an important place, as does Schleiermacher's hermeneutics on analysis and criticism. The brilliant group of young historians of theory, represented here, provides an array of approaches, from detailed music analysis, through close reading of texts, through critical discourse, to philosophical enquiry.
目次
- Part I. Cultural and Philosophical Frameworks: 1. The mechanics of sensation and the construction of the Romantic musical experience Leslie David Blasius
- 2. F. W. J. Schelling's Philosophie der Kunst: an emergent semiology of music Ian Biddle
- 3. Fetis and emerging tonal consciousness Thomas Christenden
- 4. Romantic music under siege in 1848 Sanna Pederson
- Part II. Hermeneutics, Analysis, Criticism: 5. Second immediacies in the Eroica Brian Hyer
- 6. Plato - Beethoven: a hermeneutics for nineteenth-century music? Ian Bent
- 7. Intersubjectivity and analysis: Schumann's essay on the Fantastic Symphony Fred Everett Maus
- Part III. Rhetoric, Metaphor, Musical Perception: 8. The concept of developpement in the early nineteenth century Peter A. Hoyt
- 9. A. B. Marx and the gendering of sonata form Scott Burnham
- 10. ... wie ein rother Faden: on the origins of 'Leitmotif' as critical construct and musical practice Thomas Grey
- 11. Musical invariance as a cognitive structure: 'multiple meaning' in the early nineteenth century Janna K. Saslaw and James P. Walsh
- Index.
「Nielsen BookData」 より