From song to print : Romantic pseudo-songs

著者

• Hoagwood, Terence Allan

書誌事項

From song to print : Romantic pseudo-songs

Terence Allan Hoagwood

（Nineteenth-century major lives and letters）

Palgrave Macmillan, 2010

注記

Includes bibliographical references (p. [177]-188) and index

内容説明・目次

内容説明

From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear.

目次

Romantic-Period Poetry and the 'Sweet Power of Song' 'Ballad Deception' and Scott's Minstrelsy of the Scottish Border The Lay of an Irish Harp: The Pseudo-Songs of Sydney Owenson (later Lady Morgan) Contradictory Arts: Thomas Moore's Irish Melodies 'It Gave Them Virtues Not Their Own': Byron's Hebrew Melodies Conclusion

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BB03525715
• ISBN:
  • 9780230609839
• LCCN: 2009027143
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: New York
• ページ数/冊数: xvi, 196 p.
• 大きさ: 22 cm
• 分類:
  • LCC : ML3849
  • DC22 : 782.4/3
• 件名:
  • LCSH : Music and literature -- History -- 19th century
  • LCSH : English poetry -- 19th century -- History and criticism
• 親書誌ID:
  • BA84851161