Representing history, 900-1300 : art, music, history
著者
書誌事項
Representing history, 900-1300 : art, music, history
Pennsylvania State University Press, c2010
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注記
Includes bibliographical references and index
収録内容
- Music, memory, and authenticity : representing sound in history / Ardis Butterfield
- The Fastigium of Saint-Remi ("the Tomb of Hincmar") at Reims / Lawrence Nees
- Diplomatic culture and history writing : Folcuin's cartulary-chronicle of Saint-Bertin / Laurent Morelle
- Hoax, history, and hagiography in Adémar de Chabannes's texts for the divine office / James Grier
- Picturing Matilda of Canossa : medieval strategies of representation / Christine B. Verzar
- Decontextualizing stories to construct historical texts : Bernat Desclot's representations of the past / Jaume Aurell
- Representing dynasty : the transept windows at Chartres Cathedral / Lindy Grant
- Charting the past : visual configurations of myth and history and the English claim to Scotland / Joan A. Holladay
- Relics and reliquaries : the construction of imperial memory and meaning, with particular attention to treasuries at Conques, Aachen, and Quedlinburg / Cynthia Hahn
- The liturgical framework of time and the representation of history / Margot Fassler
- From written record to historical memory : narrating the past in Iberian charters / Jeffrey A. Bowman
- From charter to cartulary : from archival practice to history / Patrick J. Geary
- Writing history with liturgy / Susan Boynton
- Two centuries of representations of the Middle Ages / Susan Reynolds
内容説明・目次
内容説明
Modern scholarship, particularly historical studies, has long acknowledged the importance of the past to medieval conceptions of the present. This volume brings art history and music into dialogue with historical studies. The essays draw out the strategies shared by these fields in the realm of historical representation. How was the creative representation of past practices-in illuminated manuscripts, monumental sculpture, and architecture, as well as in musical notation, motet composition, and performance-understood as both a historical and historicizing act? What kinds of relationships did composers, patrons, chroniclers, and musicians entertain with their predecessors? Historical studies have shown how chroniclers and annalists rewrote tradition while self-consciously writing themselves into it; the essays in this volume explore such strategies in art and music.
The contributors are Jaume Aurell, Jeffrey A. Bowman, Susan Boynton, Ardis Butterfield, Margot Fassler, Patrick J. Geary, Lindy Grant, James Grier, Cynthia Hahn, Joan A. Holladay, Laurent Morelle, Lawrence Nees, Susan Reynolds, Gabrielle M. Spiegel, and Christine B. Verzar.
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