Jacques Henri Lartigue : the invention of an artist
著者
書誌事項
Jacques Henri Lartigue : the invention of an artist
Princeton University Press, c2004
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 256-265) and index
HTTP:URL=http://www.loc.gov/catdir/enhancements/fy0654/2003068991-d.html Information=Publisher description
HTTP:URL=http://www.loc.gov/catdir/enhancements/fy0654/2003068991-t.html Information=Table of contents only
HTTP:URL=http://www.loc.gov/catdir/enhancements/fy0734/2003068991-b.html Information=Contributor biographical information
収録内容
- Lartigue's invention
- Lartigue as amateur, 1894-1922
- Amateur photography
- Sport and fashion
- Cinema
- Lartigue as artist, 1963-1979
- Lartigue at MoMA
- Lartigue after MoMA
内容説明・目次
内容説明
As a young boy, Jacques Henri Lartigue (1894-1986) set about passionately recording his life in photographs, first documenting his domestic circle and later capturing the auto races, air shows, and fashionable watering holes of the Belle epoque. His images have so bewitched modern viewers that even scholars have failed to see them clearly. In Jacques Henri Lartigue: The Invention of an Artist, Kevin Moore puts to rest the long-held myth of Lartigue as a naive boy genius whose creations were based on instinct alone. Moore begins by exploring the milieu in which Lartigue became a photographer, examining his father's crucial role in teaching him the latest techniques as well as the larger context of the turn-of-the-century craze for amateur photography. Two events brought Lartigue before the public eye in America and created the Lartigue myth: In the summer of 1963, the first exhibition of Lartigue's work in the United States was held at the Museum of Modern Art, which hailed him as an important modernist photographer, a forerunner of the art-documentary style of the 1960s.
That fall, Life magazine published a feature presenting his work as an optimistic and sentimental prologue to World War I. Both treatments portrayed him as a naive genius and Lartigue happily participated in shaping this new persona. In Jacques Henri Lartigue: The Invention of an Artist, Moore successfully challenges the Lartigue myth using examples from popular magazines and the cinema. Illustrated with more than fifty of Lartigue's photographs and drawings as well as press imagery from the period, the book offers a radical reassessment of the photographer and his work.
目次
INTRODUCTION--Lartigue's Invention 7 FORMATION: lartigue as Amateur, 1894-1922 Chapter One: Amateur Photography 17 Chapter Two: Sport and fashion 71 Chapter Three: Cinema 129 TRANSFORMATION: Lartigue as Artist, 1963-1979 Chapter Four: Lartigue at MoMa 163 Chapter Five: Lartigue after MoMa 195 CONCLUSION 215 Appendix A: Key to names of Lartigue's Family, Friends, and Pets 218 Appendix B: 1963 MoMa Exhibition Checklist 219 Chronology 221 Notes 223 Acknowledgments 255 Bibliography 256 Index 266 Photography Credits 272
「Nielsen BookData」 より