The work of art and its reproduction
著者
書誌事項
The work of art and its reproduction
（Photography at the Musée d'Orsay, 7）
Musée d'Orsay , 5 continents, c2006
- 統一タイトル
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Œuvre d'art et sa reproduction
注記
"All works reproduced in this volume belong to the Musée d'Orsay's collection and are kept in the museum. This book has been conceived for the exhibition L'œuvre d'art et sa reproduction photographique at Musée d'Orsay, 27th June-24th September 2006"--T.p. verso
Translation of: L'œuvre d'art et sa reproduction
Includes bibliographical references (p. 31)
内容説明・目次
内容説明
As early as 1839, the reproduction of art works was regarded as a primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented among them, from William Fox Talbot to Gustave Le Gray, Charles Marville and Pierre-Ambroise Richebourg. The marketing of photographic reproductions of art works from the 1850s onwards played a key role in the history of taste. A study of this genre long overlooked by historians proves to be highly rewarding.
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