Art history : contemporary perspectives on method
Author(s)
Bibliographic Information
Art history : contemporary perspectives on method
（Art history special issues）
Wiley-Blackwell, 2010
- : pbk
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Note
"Originally published as Volume 32, Issue 4 of Art History."--T.p. verso
Includes bibliographical references and index
Description and Table of Contents
Description
Art History: Contemporary Perspectives on Method examines the various patterns and approaches to the discipline of art history exhibited across the scholarship of all periods over the last 30 years, resulting in a cross section of art history in all its complexities and a timely survey of its historiography. * Newly commissioned essays by a group of international scholars * Takes a trans-disciplinary approach to the history of Art History * Each essay presents original and incisive arguments * The essays combine to present a thought provoking re-evaluation of the methods of Art History
Table of Contents
1. Art history: Contemporary perspectives on method ( Dana Arnold, University of Southampton ). 2. Sexing the canvas: Calling on the medium (Nicholas Chare, University of Reading). 3. Phenomenology and interpretation beyond the ssesh (Amanda Boetzkes, University of Alberta, Canada). 4. Surveying contemporary art: Post-war, postmodern, and then what? (Dan Karlholm, Sodertorn University, Stockholm, Sweden). 5. Michel Foucault and the point of painting (Catherine M. Soussloff, University of California). 6. Karl Mannheim and Alois Riegl: From art history to the sociology of culture (Jeremy Tanner, University College London). 7. Art Fiction (H. Perry Chapman, University of Delaware) 8. Dancing years, or writing as a way out (Adrian Rifkin, Goldsmiths College, London). Index.
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