The Vienna Don Giovanni
著者
書誌事項
The Vienna Don Giovanni
Boydell Press, 2010
- : hbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Aspects of Don Giovanni's compositional history are uncovered and the study provides for detailed evidence with which to evaluate Da Ponte's recollections. The essential truth of his account - that the revision of the operain Vienna was an interactive process - seems to be fully borne out. A general theory of transmission is proposed, which clarifies the relationship between the fluid text produced by re-creation and the static text generated by replication.
目次
Casts of the First Performances and Introduction
The Prague Don Giovanni
A possible cut
Prague musical fingerprints
Errors
The Vienna Don Giovanni
The Graz score
The Court Theatre score (OA361/1)
The Court Theatre parts (OA361/Stimmen)
Later copies deriving from the Court Theatre score
The Lausch and Julliard scores
The casting of the Vienna Don Giovanni
The full version (Vienna 1)
An intermediate version?
The final versions Vienna 2a and Vienna 2b
Da Ponte's story
The late eighteenth-century dissemination of Don Giovanni
Guardasoni's performances of Don Giovanni in 1788 and 1789
The reception of the Vienna Music in 1790s Prague
The 1798 Vienna revival
The autograph of Don Giovanni after Mozart's death
The Breitkopf & Hartel full score
Later manuscripts based on the published score
Conclusion
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