Motets for the Sanctorale and general use
Author(s)
Bibliographic Information
Motets for the Sanctorale and general use
（Recent researches in the music of the Renaissance, 154 . Cantiones sacrae (1578) / Andreas Pevernage ; pt. 2）
A-R Editions, c2010
Printed Music（Full Score）
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Note
Chiefly for 6 voices, unacc
Latin words; also printed as text with English translation
Prefatory matter in English
Critical report in English: p. 265-267
Contents of Works
- Quam dilecta tabernacula (a 6), feast of the dedication of a church and an altar
- Crucem sanctam subiit (a 6), the finding of the Holy Cross
- Laudem dicite (a 6), the feast of all saints
- Beati pauperes spiritu (a 6), common of two or more martyrs
- Dum aurora finem daret (a 6), (St. Cecilia, virgin and martyr)
- Salvatorem expectamus (a 6), Advent or the first Sunday Lent
- O Juda, qui dereliquisti (a 6), Holy Week
- Exaudiat te Dominus (a 6), Sundays
- Aurea virga primae matris (a 6), (the Assumption of the Blessed Virgin Mary)
- Beata es, virgo Maria (a 6), (Blessed Virgin Mary)
- Quam pulchra es (a 6), general use
- Tota pulchra es (a 6), Holy Church
- Benedicite Domino (a 6), St. Michael and all Angels (Michaelmas)
- Jam non estis hospites (a 6), common of Apostles and of evangelists
- Clamaverunt justi (a 6), general use, (common of two or more martys)
- Custodivit Dominus (a 6), general use
- Os justi meditabitur (a 6), general use, (common of a confessor not a bishop)
- Audi, filia, et vide (a 6), general use, (common of a virgin not a martyr)
- Ego flos campi (a 7), general use
- O virgo generosa (a 7), (St. Cecilia, virgin and martyr)
