The pictorialization of Dürer's drawings in northern Europe in the sixteenth and seventeenth centuries
著者
書誌事項
The pictorialization of Dürer's drawings in northern Europe in the sixteenth and seventeenth centuries
（Europäische Hochschulschriften = Publications universitaires européennes = European university studies, ser. 28 . History of art ; v. 434）
P. Lang, c2009
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注記
Includes bibliographical references (p. 137-146) and index
内容説明・目次
内容説明
This book examines the unique phenomenon of the pictorialization of Durer's drawings. Representative Northern European painters in the sixteenth and seventeenth centuries - such as Hans Schaufelein, Jacob Hoefnagel and Jan Brueghel the Elder - reproduced Durer's drawings, from single motifs to whole compositions in brilliant colors. This publication discusses the character of Durer's workshop, preferences for drawings in Renaissance Germany, questions about authorship and ownership around works of art and the reception and adaptation of the Northern Renaissance art in the Prague Mannerism. It also demonstrates how in the course of the sixteenth century the evaluation of Durer's drawings in Northern Europe changed.
目次
Contents: The Ober St. Veit Altarpiece and the Five Chiaroscuro Drawings - The Madonna in the Hall and the Epitaph of Lorenz Tucher: Durer's Model Drawings - The Great Calvary and its Copies by the Leyden School - Rudolf II and his Enthusiasm for the Art of Albrecht Durer - The Imaginary Competition between Durer and Jan Brueghel the Elder.
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