Christopher Marlowe the craftsman : lives, stage, and page
著者
書誌事項
Christopher Marlowe the craftsman : lives, stage, and page
Ashgate, c2010
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [225]-253) and index
内容説明・目次
内容説明
Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance history, as well as interpretive issues within the works themselves. The contributors interpret and analyze the disputed facts of Marlowe's life, the textual difficulties that emerge from the staging of his plays, the critical investigations arising from analyses of individual works, and their relationship to those of his contemporaries. The collection engages in new ways the controversies and complexities of its subject's life and art. It reflects the flourishing state of Marlowe studies as it shapes the twenty-first century conception of the poet and playwright as master craftsman.
目次
- Contents: Introduction: Christopher Marlowe the craftsman: lives, stage, and page, Sarah K. Scott and M.L. Stapleton
- Part I Lives: Scholarship and Biography: Marlowe scholarship and criticism: the current scene, Robert A. Logan
- Marlowe thinking globally, Richard F. Hardin
- Reviewing what we think we know about Christopher Marlowe, again, J.A. Downie
- Was Marlowe a violent man?, Rosalind Barber. Part II Stage: Theater, Dramaturgy: Edward II and residual allegory, Alan C. Dessen
- What Shakespeare did to Marlowe in private: Dido, Faustus and Bottom, Meredith Skura
- The Jew of Malta and the development of city comedy: 'the mean passage of a history', Sarah K. Scott
- Speaking to the audience: direct address in the plays of Marlowe and his contemporaries, Ruth Lunney. Part III Pages: Texts and Interpretations: Marlowe the Ovidian: On the eventfulness of Hero and Leander, Stephen Booth
- Marlowe's first Ovid: Certaine of Ovids Elegies, M.L. Stapleton
- Marlowe and Marston's Cursus, Robert Darcy
- Marlowe's last poem: elegiac aesthetics and the epitaph on Sir Roger Manwood, Dympna Callaghan. Marlowe's Reach: Hell is Discovered: the Roman destination of Dr Faustus, Brett Foster
- Consuming sorrow: conversion and consumption in Tamburlaine: Part One, Carolyn Scott
- Fractional Faustus: Edward Alleyn's part in the printing of the A-text, Paul Menzer
- Bibliography
- Index.
「Nielsen BookData」 より