Tokujin Yoshioka
著者
書誌事項
Tokujin Yoshioka
Rizzoli, c2010
大学図書館所蔵 全30件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
The complete work of Tokujin Yoshioka, one of the most innovative designers working today. Based in Tokyo, Tokujin Yoshioka has built a career using unconventional materials to create objects and spaces. Often employing paper and glass, as well as unusual elements, such as plastic drinking straws, his studio's work has achieved a cult following among design enthusiasts. Leading design museums, including the Museum of Modern Art, New York, the Victoria and Albert Museum, London, and the Centre Pompidou, Paris, have Yoshioka's work in their permanent collections. He was the recipient of the Designer of the Year Award at Design Miami in 2007. A protege of both Issey Miyake and the legendary industrial designer Shiro Kuramata, Yoshioka established his own practice in 2000. Working with Miyake for nearly two decades, Yoshioka completed many projects and installations, and shop designs for both a-poc and Issey Miyake. His collaborations have expanded globally, and he now counts brands such as Cartier, Hermes, BMW, and Swarovski as his clients. In creations like the Honey-Pop Chair, the Tokyo-Pop Chair, and the Panna Chair, Yoshioka's designs display a tactility and warmth not often associated with minimalist works. His most recent experiments transcend industrial design, occupying a space between science and art, typified by the Venus chair, where crystals were naturally grown over a fiber form immersed in a glass tank filled with a solution. Designed by Groovisions, the book includes more than three hundred sketches, concept renderings, and photographs. The projects are organized thematically, with an emphasis on materials and process, and show how Yoshioka transforms commonplace items to create objects of tensile strength and sublime beauty.
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