Ancient Rome at the cinema : story and spectacle in Hollywood and Rome
著者
書誌事項
Ancient Rome at the cinema : story and spectacle in Hollywood and Rome
(Greece & Rome live)
Bristol Phoenix Press, 2010
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [190]-195) and index
内容説明・目次
内容説明
'Ancient Rome at the Cinema' is a lucid study of the worlds created in Roman historical epics. Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination. Theodorakopoulos uses film theory and criticism to examine the ways in which historical drama creates the past through story-telling and visual effects. Particular emphasis is put on the tension between narrative and spectacle which is an inherent feature of cinema, and a long-standing preoccupation of film critics and theorists from the 1930s to the present. The book also examines the techniques and the rhetoric of realism which feature especially prominently in historical films.
'Ancient Rome at the Cinema' is a companion volume to 'Ancient Greece in Film and Popular Culture' by Gideon Nisbet (9781904675785, 2008, 2nd edition).
目次
List of Illustrations vi
Introduction 1
1 Narrative and Spectacle, Realism and Illusion, and
the Historical Film 9
2 Ben-Hur: 'Tale of the Christ' or Tale of Rome? 30
3 Spartacus and the Politics of Story-Telling 51
4 The Fall of the Roman Empire: The Filmmaker as
Historian 77
5 Gladiator: Making it New? 96
6 Fellini Satyricon: 'Farewell to Antiquity' or 'Daily
Life in Ancient Rome'? 122
7 Titus: Rome and the Penny Arcade 145
Conclusion 168
Notes 173
Further Reading and Viewing 186
Bibliography 190
Filmography 196
Index
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