Focus : music, nationalism, and the making of the new Europe
Author(s)
Bibliographic Information
Focus : music, nationalism, and the making of the new Europe
（Focus on world music）
Routledge, 2011
2nd ed
- : pbk
- : hbk
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Note
First ed. published 2004 by ABC-CLIO
Includes bibliographical references and index
Description and Table of Contents
Description
Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest -- Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe.
Focus: Music, Nationalism, and the Making of the New Europe begins with the emergence of the European nation-state in the Middle Ages and extends across long periods during which Europe's nations used music to compete for land and language, and to expand the colonial reach of Europe to the entire world. Bohlman contrasts the "national" and the "nationalist" in music, examining the ways in which their impact on society can be positive and negative -- beneficial for European cultural policy and dangerous in times when many European borders are more fragile than ever. The New Europe of the twenty-first century is more varied, more complex, and more politically volatile than ever, and its music resonates fully with these transformations.
Table of Contents
1. Music and Nationalism: Why Do We Love to Hate Them? 2. The European Nation-State in History 3. National Music 4. Nationalist Music 5. In the Belly of the Beast: Music and Nation in Central Europe 6. Europeans without Nations: Music at and beyond the Borders of the Nation-State 7. Europeans of Many Nations: Music beyond the Borders of the Nation-State 8. The New Europeanness: New Musics and New Nationalisms
by "Nielsen BookData"
