{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB04260649.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB04260649#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB04260649.json"},"dc:title":[{"@value":"Notation, rhythm, and style in the two-voice Notre Dame clausula"}],"dc:creator":"by Rebecca Anne Baltzer","dc:publisher":[{"@value":"UMI"}],"dcterms:extent":"2 v. in 1 (viii, 546 leaves)","cinii:size":"21 cm","dc:language":"eng","dc:date":"1974","cinii:ncid":"BB04260649","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA06285049#entity","@type":"foaf:Person","foaf:name":[{"@value":"Baltzer, Rebecca A. (Rebecca Anne)"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA002826","@type":"foaf:Organization","foaf:name":"京都教育大学 附属図書館","rdfs:seeAlso":{"@id":"http://tosho2.kyokyo-u.ac.jp/webopac/ufirdi.do?ufi_target=ctlsrh&ncid=BB04260649"}}],"prism:publicationDate":["c1974"],"cinii:note":["Reprint of the author's thesis (Ph.D.)--Boston University, 1974","Includes bibliographical references"],"dc:subject":["LCC:ML170.N6"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Musical+notation","dc:title":"Musical notation"},{"@id":"https://ci.nii.ac.jp/books/search?q=Cadences+%28Music%29+--+History+and+criticism","dc:title":"Cadences (Music) -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Gregorian+chants+--+History+and+criticism","dc:title":"Gregorian chants -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Music+--+500-1400+--+History+and+criticism","dc:title":"Music -- 500-1400 -- History and criticism"}]}]}