The South that wasn't there : postsouthern memory and history
著者
書誌事項
The South that wasn't there : postsouthern memory and history
(Southern literary studies)
Louisiana State University Press, c2010
- : cloth
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 207-218) and index
内容説明・目次
内容説明
Once, history and ""the South"" dwelt in close proximity. Representations of the South in writing and on film assumed everybody knew what had happened in place and time to create the South. Today, our vision of the South varies, and there is less ""there there"" than ever before.
In The South That Wasn't There, Michael Kreyling explores a series of literary situations in which memory and history seem to work in odd and problematic ways. Looking at Toni Morrison's masterpiece Beloved, he tests the viability of applying Holocaust and trauma studies to the poetics and politics of remembering slavery. He then turns to Robert Penn Warren's grapplings with his personal memory of racism, which culminated in his attempt to confront the evil directly in his book Who Speaks for the Negro? In a chapter on the court contest between Margaret Mitchell's estate and Alice Randall over Randall's parody The Wind Done Gone, Kreyling treats neglected issues such as the status of literary sequels and parody in an age of advanced commodification of the South.
Kreyling's searching inquiry into the intersection of the southern warrior narrative and the shocks dealt America by the Vietnam War uncovers what appears to be the deliberate yet unconscious use of southern Civil War memory in a time of national identity crisis. He follows that up with a comparison of Faulkner's appropriation of Caribbean memory in Absalom, Absalom! and Madison Smartt Bell's in his trilogy on Toussaint Louverture and the Haitian revolution.
Finally, Kreyling examines some new manifestations of southern memory, including science fiction as embodied in Octavia Butler's novel Kindred, ""mockumentary"" in Kevin Willmott's film C.S.A., and postmodern cinema parody in Lars Von Trier's Manderlay.
Lively and frequently confrontational, The South That Wasn't There offers a thought-provoking reexamination of our literary conceptions about the South.
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