Marianna Martines : a woman composer in the Vienna of Mozart and Haydn
Author(s)
Bibliographic Information
Marianna Martines : a woman composer in the Vienna of Mozart and Haydn
（Eastman studies in music）
University of Rochester Press, 2010
- : hardcover
Available at / 2 libraries
-
No Libraries matched.
- Remove all filters.
Note
Includes bibliographical references (p. [287]-293) and index
Description and Table of Contents
Description
Examines the life and compositional oeuvre of prolific eighteenth century musician, composer, and singer Marianna Martines (1744-1813).
Marianna Martines (1744-1813) was one of the most accomplished, prolific, and highly honored female musicians of the eighteenth century. She spent most of her life in a remarkable household that included celebrated librettist Pietro Metastasio, who supervised her education and remained a powerful and supportive mentor. She studied with the young Joseph Haydn, and Vienna knew her as a gifted, aristocratic singer and keyboard player who performed for the pleasure of the Empress Maria Theresa. The regular private concerts she held in her home attracted the presence and participation of some of Vienna's leading musicians; Mozart enjoyed playing keyboard duets with her. She composed prolifically and in a wide variety of genres, vocal and instrumental, writing church music, oratorios, Italian arias, sonatas, and concertos. Much of that music survives, and those who study it, perform it, and listen to it will be impressed today by its craftsmanship and beauty.
This book, the first volume fully devoted to Martines, examines her life and compositional oeuvre. Based largely on eighteenth-century printed sources, archival documents, and letters [including several by Martines herself, most of them published here for the first time] the book presents a detailed picture of the small but fascinating world in which she lived and demonstrates the skillfulness and creativity with which she manipulated the conventions of the gallant style. Focusing on a limited number of representative works, and using many musical examples, it vividly conveys the nature and extent of her compositional achievementand encourages the future performance of her works.
The late Irving Godt was Professor of Music at Indiana University of Pennsylvania. John A. Rice, independent scholar, is a member of the Akademie fur Mozart-Forschungin Salzburg.
Table of Contents
Editor's Note
Introduction
The Scene and the Players
The Young Musician
Early Works
The Musical Dramatist
Italian Psalms
Padre Martini and the Dixit Dominus
Family Honors and Private Music Making
Isacco Figura del Redentore and the Death of Metastasio
"Countless Artistic Pleasures": Martines as Musical Hostess and Teacher
Appendix: The Martines Family
Appendix: Letters to and from Marianna Martines
Appendix: Metastasio's Will and Codicil
Appendix: List of Works
by "Nielsen BookData"