On art in the ancient Near East

Bibliographic Information

On art in the ancient Near East

Irene J. Winter

(Culture and history of the ancient Near East / edited by B. Halpern ... [et al.], v. 34)

Brill, c2010

  • v. 1
  • v. 2

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On the art in the ancient Near East

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Title on CIP: On the art in the ancient Near East

Vol. 1. Of the first milennium B.C.E. -- v. 2. From the third millenium B.C.E

Includes bibliographical references and index

Description and Table of Contents

Volume

v. 1 ISBN 9789004172371

Description

This volume of collected essays brings together for the first time the range of Winter's pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield 'history' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum

Table of Contents

  • THE ASSYRIAN PALACE AND RELIEF CARVING Chapter One: Royal Rhetoric and the Development of Historical Narrative in Neo-Assyrian Reliefs Chapter Two: Art in Empire: The Royal Image and the Visual Dimensions of Assyrian Ideology Chapter Three: Le Palais imaginaire: Scale and Meaning in the Iconography of Neo-Assyrian Cylinder Seals Chapter Four: Ornament and the "Rhetoric of Abundance" in Assyria BRONZE AND IVORY/LUXURY GOODS Chapter Five: Phoenician and North Syrian Ivory Carving in Historical Context: Questions of Style and Distribution Chapter Six: Carved Ivory Furniture Panels from Nimrud: A Coherent Subgroup of the North Syrian Style Chapter Seven
  • Is There a South Syrian Style of Ivory Carving in the Early First Millennium b.c.? Chapter Eight: North Syria as a Bronzeworking Centre in the Early First Millennium b.c.: Luxury Commodities at Home and Abroad Chapter Nine: North Syrian Ivories and Tell Halaf Reliefs: The Impact of Luxury Goods upon "Major" Arts Chapter Ten: Establishing Group Boundaries: Toward Methodological Refinement in the Determination of Sets as a Prior Condition to the Analysis of Cultural Contact and/or Innovation in First Millennium b.c.e. Ivory Carving INTERACTIONS OF TIME AND SPACE Chapter Eleven: Perspective on the "Local Style" of Hasanlu IVB: A Study in Receptivity Chapter Twelve: On the Problems of Karatepe: The Reliefs and Their Context Chapter Thirteen: Art as Evidence for Interaction: Relations between the Assyrian Empire and North Syria Chapter Fourteen: Carchemish sa kisad puratti Chapter Fifteen: Homer's Phoenicians: History, Ethnography, or Literary Trope? [A Perspective on Early Orientalism]
Volume

v. 2 ISBN 9789004174993

Description

This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum

Table of Contents

Chapter Sixteen- After the Battle is Over: The Stele of the Vultures and the Beginning of Historical Narrative in the Art of the Ancient Near East Chapter Seventeen- Eannatum and the "King of Kis"?: Another Look at the Stele of the Vultures and "Cartouches" in Early Sumerian Chapter Eighteen- Women in Public: The Disk of Enheduanna, the Beginning of the Office of En-Priestess, and the Weight of Visual Evidence Chapter Nineteen- Sex, Rhetoric, and the Public Monument: The Alluring Body of Naram-Sin of Agade Chapter Twenty- Tree(s) on the Mountain: Landscape and Territory on the Victory Stele of Naram-Sin of Agade Chapter Twenty-One- How Tall was Naram-Sin's Victory Stele? Speculation on the Broken Bottom Chapter Twenty-Two- The Body of the Able Ruler: Toward an Understanding of the Statues of Gudea Chapter Twenty-Three- 'Idols of the King': Royal Images as Recipients of Ritual Action in Ancient Mesopotamia EXPERIENCING 'ART' AND ARTIFACT Chapter Twenty-Four- Representing Abundance: A Visual Dimension of the Agrarian State Chapter Twenty-Five- Reading Ritual in the Archaeological Record: Deposition Pattern and Function of Two Artifact Types from the Royal Cemetery of Ur Chapter Twenty-Six-"Surpassing Work": Mastery of Materials and the Value of Skilled Production in Ancient Sumer Chapter Twenty-Seven- The Aesthetic Value of Lapis Lazuli in Mesopotamia Chapter Twenty-Eight- Agency Marked, Agency Ascribed: The Affective Object in Ancient Chapter Twenty-Nine- "Seat of Kingship"/"A Wonder to Behold": The Palace as Construct in the Ancient Near East Chapter Thirty- Opening the Eyes and Opening the Mouth: The Utility of Comparing Images in Worship in India and the Ancient Near East Chapter Thirty-One- The Affective Properties of Styles: An Inquiry into Analytical Process and the Inscription of Meaning in Art History VIEWING (IN) THE PAST AND THE PRESENT Chapter Thirty-Two- The Eyes Have It: Votive Statuary, Gilgamesh's Axe, and Cathected Viewing in the Ancient Near East Chapter Thirty-Three- Babylonian Archaeologists of The(ir) Mesopotamian Past Chapter Thirty-Four- Exhibit/Inhibit: Archaeology, Value, History in the Work of Fred Wilson Chapter Thirty-Five- Change in the American Art Museum: The (An) Art Historian's Voice Chapter Thirty-Six- Packaging the Past: The Benefits and Costs of Archaeological Tourism

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