All the gods : Benjamin Britten's Night-piece in context
著者
書誌事項
All the gods : Benjamin Britten's Night-piece in context
Britten Estate Limited and the Institute of Advanced Musical Studies (KCL) in association with Plumbago Books , Distributed by Boydell & Brewer, 2006
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注記
Includes bibliographical references
Includes three versions of the score
内容説明・目次
内容説明
Christopher Wintle's in-depth examination of Britten's Notturno includes a full set of sketches, the printed score, an introductory essay and two appendices, providing a new model for the study of Britten's work in general.
Peter Pears once described Benjamin Britten as `a Greek who worships all the gods'; and in order to come to terms with Britten's music it is necessary to recognize a language deeply embedded in this Western tradition.
This book is devoted to Night-piece (Notturno), written for the first Leeds International Pianoforte Competition of 1963. It addresses the work from many points of view: historical, documentary, analytical, formal, kinetic, hermeneutical, and affective. It also includes a wide range of illustrated allusions to other music, a full set of sketches, the printed score, arrays of modes and voice-leading graphs, and two appendices that take the issues of intensification and neapolitan relations further. In so doing, it provides a new model for the study of Britten's work in general.
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