Art in the era of Alexander the Great : paradigms of manhood and their cultural traditions
著者
書誌事項
Art in the era of Alexander the Great : paradigms of manhood and their cultural traditions
Cambridge University Press, 2010
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In this book, Ada Cohen focuses on art produced in Macedonia during the late Classical and early Hellenistic period, which coincides with the reigns of Philip II, his famous son Alexander the Great, and their immediate successors. Although inspired by traditional Greek themes and ideals, this body of artwork articulated specifically Macedonian aspirations. Cohen focuses on three key 'masculine' themes - warfare, hunting, and abduction of women - exploring their visual and conceptual interconnections. She demonstrates their preoccupation with the visual celebration of violence and studies the analogies they draw among the ideological categories of 'enemy', 'animal', and 'woman'. Simultaneously historical and thematic, Cohen's text is structured around select paintings and mosaics from northern Greek sites, such as Pella and Vergina, and from both secular and funerary contexts. She also examines monuments from other ancient contexts and in other media to illuminate specific questions of style, theme, and meaning.
目次
- 1. Introduction: themes and issues
- 2. Figural mosaics in the House of the Abduction of Helen at Pella: three themes
- 3. Master of lions (and other animals)
- 4. War as hunt
- hunt as war?
- 5. Rape as hunt
- hunt as rape?
- 6. Rape as war
- war as rape?
- 7. Abduction and femininity
- 8. Hunt and masculinity
- Epilogue: fixing the pose.
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