Subversion and subsidy : contemporary art and aesthetics
著者
書誌事項
Subversion and subsidy : contemporary art and aesthetics
(The French list)
Seagull, 2008
- : pbk
- タイトル別名
-
Subversion et subvention : art contemporain et argumentation esthétique
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 217-224) and index
内容説明・目次
内容説明
Art today is in deep crisis. Criticism seems to have abandoned any notion of evaluation, the public has been denied the possibility of understanding, and aesthetics have lost all legitimacy. Formerly, artists claimed their right to decide for themselves what counted as a work of art, thanks to the subversion of the established criteria of aesthetic judgment. But that very subversion is today the object of subsidy and support by museums and galleries, anxious to display their liberalism. A new and ambiguous game of complicity and antagonism has united artists and institutions. Yet, however much the alliance of subversion and subsidy aims to exclude it, aesthetic judgment remains a necessity.Whatever the nature of a work of art, it can only be one if the artistic quality it claims for itself can be justified and shared. As symbol it cannot be reduced to a symptom; as an object of judgment it cannot depend on simple individual preferences. Thus it is now urgent to find aesthetic arguments that pay proper attention to the internal logic of artworks, arguments that are rigorous without claiming absolute truth.
In this wide-ranging and fascinating book, Rainer Rochlitz attempts to find new bases for such arguments. First published in 1994, it remains a vital contribution to today's debates about the nature of the art market.
目次
IntroductionPART ONE: SITUATION1. The conquestand abandonment of aesthetic sovereignty Fractures in the logic of ModernismStages on the road to autonomySovereignty and inner heteronomy2. Criticism's dereliction of dutyCriticism, aesthetics, history of artThe collapse of judgmentTowards an aesthetic logicPART TWO: ARGUMENT3. Aesthetic rationalityBetween magic and reasonRationality and sovereigntyThe limits of aesthetic rationality4. Symbol and symptomThe symbolic intelligibility of singular experienceConfusionsInterferences5. Judgments and preferencesAesthetic pragmaticsAesthetic judgment and idiosyncratic judgmentThe question of criteria6 Aesthetic criteriaCriteria of exclusion Criteria of excellencePART THREE: POLITICS7. InstitutionsA hegemonic tasteGeneralised suspicionConsequences of the institutional turn8. Political strategiesThe public character of art and the question of political engagementAesthetic principles and political implicationsThe Sixties turnConclusionThe demands of the medium and their reward
「Nielsen BookData」 より