The horror! the horror! : comic books the government didn't want you to read!
著者
書誌事項
The horror! the horror! : comic books the government didn't want you to read!
Abrams ComicArts, c2010
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 302) and index
内容説明・目次
内容説明
For the first time in over fifty years, author Jim Trombetta uncovers a rare visual treasury of some of the most important and neglected stories in American literature-the pre-Code horror comics of the 1950s. Censored out of existence by Congress in an infamous televised US Senate subcommittee hearing investigating juvenile delinquency, these rare comic book images are culled from the author's personal collection. Many of these stories have rarely been seen since they were first issued-now revealed once again in all of their eye-popping inventive outrageousness. The 1950s horror comic was designed to jump out at you-all but literally-from a magazine rack swarming with competitors. The Horror! The Horror! includes over 200 covers and complete stories as they were originally seen, scanned from mint copies in the author's extensive collection. Coupled with commentary and informative text that provides readers with detailed history and complete context for these stories and their creators, Jim Trombetta spins a tale of expressiveness and censorship as scary as the horror stories themselves. David Hajdu's The Ten-Cent Plague (which received rave reviews on NPR, USA Today, The New Yorker, and the New York Times) focuses on the history of these horror comic books, but lacks the visual component. Jim Trombetta, a skilled writer and historian, delves into this subversive genre, looking beyond the familiar E.C. Comics like Tales from the Crypt by MAD publisher William M. Gaines, and highlights the bulk of what was being published at this crucial time in American comic-book history.
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