Get real : documentary theatre past and present
著者
書誌事項
Get real : documentary theatre past and present
(Performance interventions)
Palgrave Macmillan, 2009
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注記
Bibliography: p. 239-248
内容説明・目次
内容説明
Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives.
目次
- Contents Acknowledgements Notes on Contributors Introduction
- A.Forsyth & C.Megson The Promise of Documentary
- J.Reinelt Mediating the 1930s: Documentary and Politics in Theatre Union's Last Edition (1940)
- B.Harker History in the Driving Seat: Unity Theatre and the Embrace of the 'Real'
- C.Chambers The Documentary Body: Theatre Workshop to Banner Theatre
- A.Filewod Living Simulations: The Use of Media in Documentary in the UK, Lebanon, and Israel
- C.Martin Looking for Esrafil: witnessing 'refugitive' bodies in I've got something to show you
- A.Jeffers Remembering the Past, 'Growing Ourselves a Future': Community-Based Documentary Theatre in the East Palo Alto Project
- L.Smith Ngapartji Ngapartji : Telling Aboriginal Australian Stories
- M.Casey Performing Trauma: Race Riots and Beyond in the Work of Anna Deavere Smith
- A.Forsyth History, Memory and Trauma in the Documentary Plays of Emily Mann
- A.Favorini When Heroes Fall: Doug Wright's I Am My Own Wife and the Challenge to Truth
- N.P.Highberg The Performance of Truth and Justice in Northern Ireland: the Case of Bloody Sunday
- C-A.Upton Half the Picture : 'a certain frisson' at the Tricycle Theatre
- C.Megson Verbatim Theatre in South Africa: 'living history in a person's performance'
- Y.Hutchison The 'Broken Tradition' of Documentary Theatre and its Continued Powers of Endurance
- D.Paget Index
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