Deep waters : the textual continuum in American Indian literature
著者
書誌事項
Deep waters : the textual continuum in American Indian literature
University of Nebraska Press, c2010
- : cloth
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [225]-234) and index
内容説明・目次
内容説明
Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Dine sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts.
The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.
目次
Acknowledgements
Introduction: Diving into Deep Waters
1. The Oral Impulse, the Graphic Impulse, and the Critical Impulse: Reframing Signification in American Indian Literary Studies
2. N. Scott Momaday's The Way to Rainy Mountain: Vision, Textuality, and History
3. Trickster Leads the Way: A Reading of Gerald Vizenor's Bearheart: The Heirship Chronicles
4. Transforming "Eventuality": The Aesthetics of a Tribal "Word-Collector" in Ray A. Young Bear's Black Eagle Child and Remnants of the First Earth
5. Interpreting Our World: Authority and the Written Word in Robert J. Conley's Real People Series
Epilogue: Building Ground in American Indian Textual Studies
Notes
Works Cited
Index
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