Imagining the past in France : history in manuscript painting, 1250-1500
著者
書誌事項
Imagining the past in France : history in manuscript painting, 1250-1500
J. Paul Getty Museum, c2010
- : [pbk.]
- タイトル別名
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History in manuscript painting, 1250-1500
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注記
Exhibition catalogue
Catalog of the exhibition held at the J. Paul Getty Museum, Los Angeles, Nov. 16, 2010-Feb. 6, 2011
Includes bibliographical references and indexes
内容説明・目次
- 巻冊次
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ISBN 9781606060285
内容説明
From around 1250 to the close of the fifteenth century, the most important and original work being done in secular illumination was unquestionably in French vernacular history manuscripts. This volume celebrates the vivid historical imagery produced during these years by bringing together some of the finest masterpieces of illumination created in the Middle Ages. It is the first major publication to focus on exploring the ways in which text and illumination worked together to help show medieval readers the role and purpose of history. The images enabled the past to come alive before the eyes of medieval readers by relating the adventures of epic figures such as Hector of Troy, Alexander the Great, the Holy Roman Emperor Charlemagne, and even the Virgin Mary.
Presented here are approximately fifty-five manuscripts from over twenty-five libraries and museums across the United States and Europe, supplemented by medieval objects ranging from tapestries to ivory boxes. Together they show how historical narratives came to play a decisive role at the French court and in the process inspired some of the most original and splendid artworks of the time. Additional contributors to this volume include Elisabeth Antoine, R. Howard Bloch, Keith Busby, Joyce Coleman, Erin K. Donovan, and Gabrielle M. Spiegel.
- 巻冊次
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: [pbk.] ISBN 9781606060292
内容説明
This beautiful volume examines the most important illuminations found in French history manuscripts. From around the mid 13th to the end of the 16th century, the most important and original work being done in secular illumination was unquestionably in French vernacular history manuscripts. This beautiful volume celebrates the vivid historical imagery produced during these years by bringing together around 55 manuscripts representing some of the finest masterpieces of illumination created in the Middle Ages. As such, it is the first major publication to focus on exploring the ways in which text and illumination worked together to help show medieval readers the role and purpose of history. The images enabled the past to come alive before the eyes of medieval readers by relating the adventures of epic figures such as Hector, Alexander, Charlemagne, and the Virgin Mary.
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