Feminist visions and queer futures in postcolonial drama : community, kinship, and citizenship
Author(s)
Bibliographic Information
Feminist visions and queer futures in postcolonial drama : community, kinship, and citizenship
(Routledge advances in theatre and performance studies, 17)
Routledge, 2011
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [163]-174) and index
Description and Table of Contents
Description
In this timely study, Batra examines contemporary drama from India, Jamaica, and Nigeria in conjunction with feminist and incipient queer movements in these countries. Postcolonial drama, Batra contends, furthers the struggle for gender justice in both these movements by contesting the idea of the heterosexual, middle class, wage-earning male as the model citizen and by suggesting alternative conceptions of citizenship premised on working-class sexual identities. Further, Batra considers the possibility of Indian, Jamaican, and Nigerian drama generating a discourse on a rights-bearing conception of citizenship that derives from representations of non-biological, non-generational forms of kinship. Her study is one of the first to examine the ways in which postcolonial dramatists are creating the possibility of a dialogue between cultural activism, women's movements, and an emerging discourse on queer sexualities.
Table of Contents
List of Illustrations Permissions Acknowledgments Introduction: Feminist Visions and Queer Futures Part 1: Jamaica 1: Making Citizens: Community, Kinship, and the National Imaginary in Dennis Scott's Echo in the Bone (1974) and Dog (1978) 2: "We shouldn't shame to talk": Postcolonial Sexual Citizenship in Sistren Theatre Collective's Bellywoman Banagarang and QPH Part 2: India 3: A People's Theatre from Delhi in Alliance with the Women's Movement 4: Queering the Subaltern: Postcolonial Performativity in Mahesh Dattani's Seven Steps Around the Fire and Mahasweta Devi and Usha Ganguli's Rudali Part 3: Nigeria 5: Resistant Citizenship: Reading Feminist Praxis and Democratic Renewal in Nigeria through Femi Osofisan's Morountodun 6: "Daughters who know the languages of power:" Community, Sexuality, and Postcolonial Development in Tess Onwueme's Tell it to Women Epilogue Notes Bibliography Index
by "Nielsen BookData"