Multiple masks : neoclassicism in Stravinsky's works on Greek subjects

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書誌事項

Multiple masks : neoclassicism in Stravinsky's works on Greek subjects

Maureen A. Carr

University of Nebraska Press, c2002

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注記

Includes bibliographical references (p. 353-362) and indexes

内容説明・目次

内容説明

In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persephone, and Orpheus through his musical sketches and other documents-scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works.

目次

  • Introduction
  • Literary, Musical and Artistic Sources for Stravinsky's Neoclassicism
  • Oedipus Rex: the Collaboration between Jean Cocteau and Igor Stravinsky
  • Apollo: Stravinsky's Compositional Process
  • Persephone: the Collaboration between Andre Gide and Igor Stravinsky
  • Orpheus: Stravinsky's Compositional Process
  • Conclusion
  • Notes
  • Bibliography
  • Captions

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