Japanesque : the Japanese print in the era of Impressionism
Author(s)
Bibliographic Information
Japanesque : the Japanese print in the era of Impressionism
Fine Arts Museums of San Francisco , DelMonico Books, Prestel, 2010
- : hardcover
Available at 15 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Published on the occasion of an exhibition held at the Legion of Honor, the Fine Arts Museums of San Francisco, Oct. 16, 2010-Jan. 9, 2011
"Suggested further reading": p. 131
Includes bibliographical references and index
Description and Table of Contents
Description
Richly illustrated throughout, this elegant volume introduces two hundred years of Japanese prints and examines their evolution, innovative techniques, and radical impact on the European and American avant-garde of the nineteenth century. The book commences with a chronological survey of the Japanese print, including works from early masters such as Harunobu and Utamaro, classic prints by the renowned artists Hokusai and Hiroshige, and nineteenth century examples by Kunisada and Kuniyoshi. The second half of the book focuses on Western artists such as Pierre Bonnard, Mary Cassatt, Edgar Degas, Paul Gauguin, Henri Riviere, Henri de Toulouse-Lautrec, and James Abbott McNeill Whistler, who drew on the Japanese aesthetic in their own diverse ways. The result is a beautiful book that offers a fascinating glimpse of how the great Japanese prints affected modern art - Impressionism and beyond.
by "Nielsen BookData"