The languages of global hip-hop

Author(s)
    • Terkourafi, Marina
    • Evelinge, Elizabeth
Bibliographic Information

The languages of global hip-hop

edited by Marina Terkourafi

(Advances in sociolinguistics)

[Lightning Source UK Ltd.], [2011]

Search this Book/Journal
Note

Reprint: originaly published: London, Continuum , c2010

Includes bibliographical references

Description and Table of Contents

Description

In the case of hip-hop, the forces of top-down corporatization and bottom-up globalization are inextricably woven. This volume takes the view that hip-hop should not be viewed with this dichotomous dynamic in mind and that this dynamic does not arise solely outside of the continental US. Close analysis of the facts reveals a much more complex situation in which market pressures, local (musical) traditions, linguistic and semiotic intelligibility, as well as each country's particular historico-political past conspire to yield new hybrid expressive genres. This exciting collection looks at linguistic, cultural and economic aspects of hip-hop in parallel and showcases a global scope. It engages with questions of code-switching, code-mixing, the minority language/regional dialect vs. standard dynamic, the discourse of political resistance, immigrant ideologies, youth and new language varieties and will be essential reading for graduates and researchers in sociolinguistics and discourse analysis.

Table of Contents

  • 1. Introduction: A Fresh Look at Some Old Questions, Marina Terkourafi (University of Illinois at Urbana-Champaign, USA)
  • 2. Multilingualism, Ethnicity, and Genre: The Case of German Hip-Hop, Jannis Androutsopoulos (King's College, London, UK)
  • 3. Kiff my zikmu: Symbolic Dimensions of Arabic, English and Verlan in French Rap Texts, Samira Hassa (Manhattan College, USA)
  • 4. 'We ain't terrorists but we droppin' bombs': Language Use and Localization in Egyptian Hip Hop, Angela Williams (University of Illinois at Urbana-Champaign, USA)
  • 5. Roma Rap and the Black Train: Minority Voices in Hungarian Hip-Hop, Sarah Simeziane (University of Illinois at Urbana-Champaign, USA)
  • 6. Empowerment Through Taboo: Probing the Sociolinguistic Parameters of German Gangsta Rap Lyrics, Mike Putnam & John Littlejohn (Carson-Newman College, Jefferson City, & Clemson University, USA)
  • 7. Glocalizing Keepin' it Real: South Korean Hip Hop Playas, Jamie Shinhee Lee (University of Michigan-Dearborn, USA)
  • 8. From American Form to Greek Performance: The Global Hip-Hop Poetics and Politics of the Imiskoumbria, Frank Hess (Indiana University, Bloomington, USA)
  • 9. Keeping it Native (?): The Conflicts and Contradictions of Cypriot Hip-Hop, Evros Stylianou
  • 10. Hip-hop, Ethnicity and Linguistic Practice in Rural and Urban Norway, Endre Brunstad, Unn Royneland & Toril Opsahl (Oslo University & University of Bergen, Norway)
  • 11. From Chi-Town to the Dirty-Dirty: Regional Identity Markers in U.S. Hip Hop, Jennifer Cramer & Jill Ward (University of Illinois at Urbana-Champaign, USA)
  • 12. Realkeepen: Anglicisms in the German Hip-Hop Community, Matt Garley (University of Illinois at Urbana-Champaign, USA)
  • 13. 'She's so hood': Ghetto Authenticity on the White Rapper Show, Cecelia Cutler (New York University, USA)Glossary of Hip Hop Terms Bibliography
  • Index.

by "Nielsen BookData"

Related Books: 1-1 of 1
Details
  • NCID
    BB05343413
  • ISBN
    • 9780826431608
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    [Milton Keynes]
  • Pages/Volumes
    xii, 351 p.
  • Size
    24 cm
  • Parent Bibliography ID
Page Top