The time of the crime : phenomenology, psychoanalysis, Italian film
著者
書誌事項
The time of the crime : phenomenology, psychoanalysis, Italian film
Stanford University Press, c2008
- cloth
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注記
Includes index
内容説明・目次
内容説明
The Time of the Crime interrogates the relationship between time and vision as it emerges in five Italian films from the sixties and seventies: Antonioni's Blow-Up and The Passenger, Bertolucci's The Spider's Stratagem, Cavani's The Night Porter, and Pasolini's Oedipus Rex. The center around which these films revolve is the image of the crime scene-the spatial and temporal configuration in which a crime is committed, witnessed, and investigated. By pushing the detective story to its extreme limits, they articulate forms of time that defy any clear-cut distinction between past, present, and future-presenting an uncertain temporality that can be made visible but not calculated, and challenging notions of visual mastery and social control. If the detective story proper begins with a death that has already taken place, the death that seems to count the most in these films is the one that is yet to occur-the investigator's own death. In a time of relentless anticipation, what appears in front of the investigator's eyes is not the past as it was, but the past as it will have been in relation to the time of his or her search.
目次
@fmct:Contents @toc4:Acknowledgments iii @toc2:Introduction 1 1 The Scene of the Crime 000 @toc3:"X Marks the Spot" 000 Blow-up: Returning to the Scene of Perspective 000 The Passenger: Vanishing 000 @toc2:2 Desiring Death 000 @toc3:Intermittence 000 The Night Porter: The Metamorphosis of the Crime Scene 000 The Detective and the Witness 000 @toc2:3 Seeing Time 000 @toc3:Skins of Color 000 Oedipus Rex: The Depth of the Crime Scene 000 The Face and the Landscape 000 @toc2:4 Twilight 000 @toc3:The Line and the Labyrinth 000 The Spider's Stratagem: The Truth of the Crime Scene 000 @toc4:Notes 000 Index 000
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